Arvo Pärt and Peteris Vasks - the border music between Northren and Slavic climate

Today's concert at Arthur Rubinstein Philharmonic brought to us the climate of Baltic countries - countries suspended between Scandinavian and Slavic nature, culture and in particular - their music.
Famous Arvo Pärt - Estonian composer, who for many years has been my favorite composer of our time, composed Lamentate in 2002.

This 10 part suite was composed as a homage to Anish Kapoor and his famous sculpture "Marsyas" - the largest sculpture ever displayed at Tate Gallery. The music is special and in some sense it dwells on another boundary - between typical Pärt's minimalism and much richer orchestration of his later compositions. The beautiful piano part, has much of a space between sounds, so much of silence - and is just breathtaking.

In perception it is indeed as from "lamentate" but lamentate for living - not for dead.

For this concert, the conductor, Daniel Raiskin asked Ralph van Raat to replace ill Alexei Lubimov (famous pianist known from original ECM recording). Ralph's performance was just great and deep - so unexpectedly but luckily we had chance to meet this great pianist.

The music of Latvian Peteris Vasks was new to me. I must admit - I never heard before about him. So today's discovery is of some mysterious significance. His music, though secular on the surface, is deeply religious in a very broad sense - not being tied to any particular creed.

Lodz's Rubinstein orchestra played his Symphony No. 2 . I can't express in words the beauty of this symphony. As in the title of this post - the music is a kind of bridge between cultures. I heard notes of warm Slavic folk music overlapped with cold minimalism of the North.

Peters Vasks was in the concert hall. He was called by Daniel Raiskin to the stage - and we all were deeply moved and affected by his modesty and unpretentiousness....

This was great concert...

Soulful music at Lodz Philharmonic

Spring time has its spirituality. Ester for Christians, Passover for Jews and Noahides, revival of life for agnostics, hope for all...

This year series of spiritually motivated concerts at Lodz's Philharmonic had an amazing emanation tonight.

Arthur Rubinstein Philharmonic Orchestra under the baton of its artistic director Daniel Raiskin played three compositions. There was Wojciech Kilar "Veni Creator" composed as his tribute to his wife Barbara. It was good piece of music, but, I must say, it was not as great as his incredible Exodus and multiple of his other pieces.

However, the next piece was surprising and fantastic and deeply emotional. Joep Franssens composition Sanctus (it was its 10th live performance) was great. Kept in the tradition of ArvoPart or Gorecki minimalism, the piece was calm but powerful.

The last composition was absolute hit. It was Styx composed by famous Georgian composer Giya Kancheli. Styx is a piece for viola, symphonic orchestra and choir. The piece was dedicated to Avet Terterian and Alfred Schnittke - Giya Kancheli friends. It is incredible piece - full of marvellous almost silent moments placed between powerful fortissimos of orchestra and choir.

The viola part was beautifly played by outstanding violist Lars Anders Tomter.

The concert was great also because, thanks to organizers, both Joep Franssens and Giya Kancheli were present in the hall. It was great pleasure to be there with them and see them happy to have their music in Lodz's Rubinstein Philharmonic ....