This will be only a short note and certainly the review of this fine book will have to wait till I have some more time during the incoming summer holidays...
But I wanted to tell you how amazing this book is. By recalling the Socrates objection against written form of knowledge and looking, from this perspective, on the current transformation of paper based to digital reading, Maryanne Wolf writes an incredible apology of deep reading. And about many more....
Just fantastic and must read for all interested in the current culture...
Whenever I can, I listen to music on Saturdays. Today, my musical experiences were under the spell of German composers. I started with Carl Orff's Carmina Burana. This cantata was written in 1937. On the textual level it is based on secular German poems, embracing the nature of life, joy of nature, common pleasures and perils. „Wine, Women and Song” was the title of 1884 publication of the most of the poems contained in the cantata.
This is beautiful music, no question about that. However, always after I listen to the great German music, particularly of the early XX century music, I cannot avoid deep question how this highest emanation of culture could live with the silent acceptance of all Nazis atrocities committed at that time. What is the value of culture, music and literature, if it cannot help people to resist the blatant crime?
How can we listen to beautiful tunes and chords of great musical works when we know that their authors, openly supported the regime that coldbloodedly killed millions of people?
How can we enjoy it when:
„...German music, which had sought sublimity, transcendence, disengagement from the ordinary world, must bear responsibility for what happened down below as it roamed through higher realms. Mann hinted further that this very “musicality of soul” was the key to Germany's fall; the aesthetic had triumphed over the merely human. In Nazi Germany, music became either a weapon of hate or an opiate of indifference.” (Alex Ross: World War II Music)
So, while I enjoyed it, I had the feelings that spoiled my experience.... It is hard to forget that Orff, accepted Nazis' commission to write a replacement score for Mendelssohn's “Midsummer Night's Dream” — what certainly was one of the darkest deeds in all musical history.
Later today, I switched to older German music. Johannes Brahms and his symphonies. Dramatically different world — warm and great. Melodious and architectural. And listening it under the baton of Leonard Bernstein — is always a great experience....
Why? Is it because Brahms lived long BEFORE the dark times? Is he better than Orff and Strauss who openly collaborated with the Nazis? If so — what to think about Wagner?
I think, that the deep reflection on the German culture, its music, its literature, in all its highs and lows has been, and still is, the very important part of our intellectual life...
In this context, it is worth to read the entire Alex Ross article: "In Music, Though, There Were No Victories". You can find it here....
